The Bay Area’s jazz/Latin scene has been thriving this year, with an abundance of incredible recordings that have left music lovers in awe. From soulful jazz to vibrant Latin rhythms, 2019 has been a rich year for the Bay Area’s music scene. Let’s take a look at some of the recorded highlights that have left a lasting impression on audiences.
One of the standout releases this year was “The Dreamer Is the Dream” by jazz saxophonist and composer Chris Potter. The album, released under ECM Records, features Potter’s signature blend of intricate melodies and intense improvisations. The recording also showcases the talents of pianist David Virelles, bassist Joe Martin, and drummer Marcus Gilmore, who bring their own unique styles to the table. With its hauntingly beautiful compositions and masterful musicianship, “The Dreamer Is the Dream” is a must-listen for any jazz enthusiast.
Another notable release from the Bay Area’s jazz scene is “The Latin Side of Joe Henderson” by pianist Eddie Palmieri. This album pays tribute to the legendary saxophonist Joe Henderson, with Palmieri infusing his own Latin flavor into Henderson’s classic compositions. The result is a dynamic and energetic album that perfectly captures the essence of both artists. Palmieri’s mastery of the piano, combined with his deep understanding of Latin rhythms, is on full display in this electrifying recording.
For those who appreciate the fusion of jazz and Latin music, “Jazz Batá 2” by Chucho Valdés is a must-have in their collection. This album, which won the Grammy Award for Best Latin Jazz Album this year, is a sequel to Valdés’ 1972 release “Jazz Batá.” The recording is a perfect blend of traditional Cuban music, Afro-Cuban rhythms, and modern jazz, with Valdés’ virtuosity on the piano shining through in every track. “Jazz Batá 2” is a testament to Valdés’ continued innovation and influence in the jazz and Latin music scene.
Another Grammy-nominated album that caught the attention of jazz and Latin music aficionados this year is “Lines in the Sand” by pianist and composer Arturo O’Farrill and the Afro Latin Jazz Orchestra. This album, which features collaborations with artists such as Vijay Iyer, Regina Carter, and Rudresh Mahanthappa, explores the theme of borders and the struggles of immigrants. O’Farrill’s brilliant compositions, combined with the powerful performances by the orchestra, make “Lines in the Sand” a thought-provoking and emotionally charged work of art.
Speaking of collaborations, “Miles Español: New Sketches of Spain” by Spanish pianist Chano Domínguez and trumpeter Diego El Cigala is a beautiful fusion of Spanish flamenco and jazz. The album, which pays tribute to the legendary Miles Davis and his iconic “Sketches of Spain” album, features traditional flamenco guitar, cajón, and palmas alongside jazz instruments. The result is a stunning and unique interpretation of Davis’ classic compositions, with Domínguez and El Cigala’s masterful musicianship bringing a new dimension to the music.
Last but certainly not least, “The Latin Jazz Project” by percussionist Michael Spiro and pianist Wayne Wallace is a gem of an album that celebrates the rich history of Latin jazz. The recording features a stellar lineup of musicians, including John Santos, Jesus Diaz, and Mary Fettig, who bring their own individual styles to the music. From traditional Cuban rhythms to modern jazz improvisations, “The Latin Jazz Project” is a vibrant and soulful tribute to the genre.
In conclusion, the Bay Area’s jazz/Latin scene has had an exceptional year with an array of captivating recordings that have showcased the diversity and talent of its artists. Whether you are a fan of traditional jazz, Latin rhythms, or the fusion of both, there is something for everyone in this year’s highlights. These recordings are a testament to the thriving and ever-evolving music scene in the Bay Area and are a must-listen for any music lover. Here’s to another year of rich and exciting music from the Bay Area’s jazz/Latin scene!
